(1 - 10 von 19
)
A Hell-Raising Mezzo-Soprano Cuts Through a Dreary First Week at the...
www.newyorker.com
Not all the sounds that Anita Rachvelishvili made in her magisterial performance in Sonja Frisell’s production of Verdi’s “Aida” were beautiful, but all had a...
sortiert nach Relevanz / Datum