Catharina Deus und German - Info zur Person

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OLDENBURG: „Closing-Night“ schließt Filmfest - NWZonlinewww.nwzonline.de › closing-night-schliesst-filmfest_a_6,1,

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Regisseurin Catharina Deus bekam dort den „German Indepedence Award – Bester deutscher Film“ für ihr Drama „Die Boxerin“ verliehen. Bericht auf Kultur, S

Timeline 27. Internationales Filmfest Oldenburg

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Sep 20, · The awards went out to Catharina Deus for »Die Boxerin« and Marcos Siega’s »Pretty Persuasion«. In neither jury nor audience had it easy to decide such was the quality of that year’s film crop The next big step. In its eleventh year the festival establishes its presence among the elite of German filmfestivals.

Germans in the Southwest, Tomas Jaehn - Google Books

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Many of the Germans who came to the United States in the nineteenth century ventured far beyond the Atlantic coast to seek their fortunes. Tomas Jaehn examines...

The A to Z of German Cinema - Robert C. Reimer, Carol J. Reimer -...

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Glatzeder had a supporting role in Die Boxerin (The Girl Boxer, Catharina Deus, 2005), which many critics compared unfavorably to Million Dollar Baby (Clint ...

Catharina Deus - Wikidata

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German film director

Catharina Deus and Wilfried Hochholdinger during Dreigroschenoper

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Bild von Catharina Deus and Wilfried Hochholdinger during Dreigroschenoper Berlin Premiere at Admiralspalast in Berlin Berlin Germany. WireImage Deutschland

CATHARINA DEUS | ProQuote-Regie

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Catharina Deus war nominiert für den First Steps Award (2005), für den „Bunte New Faces Award (2006) und den Grimme Preis (2008). Sie wurde u.a. ausgezeichnet mit dem „German Independence Award – Bester Deutscher Film“ (Filmfest Oldenburg 2005) und dem „Award for best Student Feature Film“ (Festival Internacional de Cinema ...

Catharina Deus and Wilfried Hochholdinger during Dreigroschenoper

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Picture of Catharina Deus and Wilfried Hochholdinger during Dreigroschenoper Berlin Premiere at Admiralspalast in Berlin Berlin Germany. WireImage

Blurring or Shifting Boundaries? Concepts of Culture in...

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[10] Very beneficial could be a comparative investigation of intercultural, transcultural and intracultural dimensions of sport, because the supposed blurring of class and gender boundaries in boxing has recently been a major topic in German films, including Züli Aladag’s Elefantenherz (2002) and Catharina Deus Die Boxerin (2005). Further explorations could start from the vast …