Paul Dehn und Orient Express - Info zur Person

(1 - 12 von 15

)

Paul Dehn

www.moviepilot.de

Alle Infos zu Paul Dehn, bekannt aus James Bond 007 – Goldfinger und Mord im Orient Express:

Mord im Orientexpress aus dem Lexikon | wissen.de

www.wissen.de

Mord im Orientexpress Deutscher Titel: Mord im Orientexpress Original-Titel: … ON THE ORIENT EXPRESS Land: GB Jahr: Regie: Sidney...

Alle Infos zum Namen "Paul Dehn"

Paul Dehn – Movies, Bio and Lists on MUBI

mubi.com

Paul Dehn's films include Goldfinger, The Spy Who Came in from the Cold, … on the Orient Express, The Night of the Generals

‘… on the Orient Express’ | The Claude Rains Fan Club

www.tr10023.com

The motion picture …cts the structural weakness: rather than stick the kidnapping, which precedes the main action of the story by five years, in the middle, screenwriter Paul Dehn opens the picture with it. It's a tour de force — one of the best openings I've ever seen. It's just under three and a half minutes, ...

… on the Orient Express (Sidney Lumet) – 0xDB

0xdb.org

Director: Sidney Lumet; Writer: Paul Dehn, Agatha Christie, Anthony Shaffer; Producer: John Brabourne, Richard Goodwin; Cinematographer: Geoffrey Unsworth;...

… on the Orient Express (1974) – CineSocialUK

Writer: Paul Dehn. Camera: Geoffrey Unsworth. Music: Richard Rodney Bennett. Sets: Tony Walton. Albert Finney, Lauren Bacall, Martin Balsam, Ingrid Bergman, Jacqueline Bissett, Jean-Pierre Cassel, Sean Connery, John Gielgud, Wendy Hiller, Anthony Perkins, Vanessa Redgrave, Rachel Roberts, ...

… on the Orient Express - Moore Memorial Library

… on the Orient Express, Paramount Pictures ; screenplay by Paul Dehn ; produced by John Brabourne and Richard Goodwin ; directed by Sidney Lumet, (videorecording DVD). Contributor · Redgrave, Vanessa, · Bacall, Lauren, · Bergman, Ingrid, · Lumet, Sidney, · Christie, Agatha, ...

TRA LE PAGINE DI UN FILM: …IO SULL’ORIENT EXPRESS

Lumet, avvalendosi della curata sceneggiatura di Paul Dehn, mantiene intatta la canonica struttura di enigma a camera chiusa, giocando con gli spazi claustrofobici dei vagoni e le strette cabine. Branagh, invece, pone sin dall'apertura l'attenzione sulla carismatica figura di Poirot: le sue piccole fissazioni – mai troppo sopra ...